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Anne Kellas
Mother halo
Containing all that halo, I slide – your ghost in and out of my time / your signature upset drum-riff upbeat, caught, bird, song-drum stopped. Containing all that fear, I slide, unconscious into your waiting arms these lines a blessing, neutered by peace, uplifted by song grace / named / plenty / rich / only this will do. Containing all that plenty, the corn slipped like silk through the net of sheaves in green sunlight orange-warm, petal yellow. Drums again. Sickening awful doubt. Plenty looms, plentiful doom. Only the angels can fix it. Fix it. Angels quick as dust to settle on this mind-swept empty place.
Containing all that halo, you slip unnoticed / noticed / parked in an only zone only the lonely only park here. Your angel’s slipping your halo, your halo. Felt charged. Night called birds to its side, bid them dwell in the forest near the lake where heaven fell each dawn, each sunrise.
Your halo slipped its mask off, your halo. You wore a worried look.
Your halo, though, glows, strong,
soft heavy metallic bangle of a thing no jewel light as a silk scarf wrapped round my soul to keep me from falling into into significance Because the significant thing is this: only Peter knows the list at the Gate of Dawn whom to let in, whose plate is full and whose worn halo is worth holding onto that long now. Shalom.
O mechanical day
O mechanical day, you beat your metal hard rhythm all over my flesh. Your calabash almost breaks as you smash water into its mouth, as you drink.
O mechanical day, you swallow my hours of labour and pay me in starlings. You slide my life works into a drawer and label me sick, ailing, dead. I cannot wake them.
O mechanical day, I will escape your blades slip past your leather hoops and hide myself among your heaps of metal vast piles of scrap metal gathered for wars, heaped here in their ossified state with their butterfly patterns of rust glowing green in the dark.
Before the coming of colourless day
Before the coming of colourless day and the noise of pink-clothed consumers of bread, wind. It blows away a pattern of leaves, a sermon in itself, beside this stone path at the side of the grave. Dry leaf, yellow, green-stemmed, turning brown, parachuted here, frost-bitten adding its tiny grasshopper rasp sounds to the day dry as bark. I stopped to touch the sere leaf in my hollowed hands, resisted the temptation to crush it into dust with my Midas fingers.
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